Red by Qiu Xiaofei

Qiu Xiaofei, Red, 2020, oil on linen, 200 cm × 300 cm (78-3/4" × 9' 10-1/8") © Qiu Xiaofei

Qiu Xiaofei

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b. 1977, Harbin, China

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A representative figure among Chinese artists who emerged in the first decade of the 2000s, Qiu Xiaofei is committed to exploring new aesthetic, narrative, and affective possibilities through his painting practice.

Informed by his upbringing and childhood home, where Soviet and Russian influences were acutely felt, Qiu investigated post-Socialist collective memory in his early career. His references range from colorful pictorials and architecture to ideological struggles and vernaculars—themes that resurfaced in his mature oeuvre as hallucinatory fragments. In the early 2010s, Qiu began experimenting with figuration and abstraction, citing and transforming an eclectic range of art historical references, including medieval altarpieces and manuscripts, socialist realism, modernists Paul Gauguin and James Ensor, and Chinese painters active during the tumultuous Modernist era, such as Jiang Zhaohe.

Qiu’s distinctive and fantastical use of color, combined with powerful evocations of memory and emotion, both personal and universal, characterizes his unique artistic vision and trajectory. Often developing his works intuitively without premeditation, Qiu combines spontaneous gestures with fragments of figurative imagery, resulting in mesmerizing textual and narrative layers that constellate abstract gestures and symbolic references. Qiu employs various readymade objects to leave traces in his paintings, developing a process that responds to these traces and allows emerging forms to spur new choices.

X-ray Reproduction by Qiu Xiaofei

Qiu Xiaofei, X-ray Reproduction, 2003, oil on canvas, 200 x 150 cm © Qiu Xiaofei

Almost 7 by Qiu Xiaofei

Qiu Xiaofei, Almost 7, 2005, acrylic on fiber glass, dimensions variable © Qiu Xiaofei

In 2006, the CAFA Art Museum, Beijing, organized Qiu’s first solo exhibition, Heilongjiang Box, which featured paintings informed by old family photographs, writings from family members, and daydreams and memorabilia from his childhood. The exhibition catalogue for Heilongjiang Box features nostalgic, autobiographical texts that reflect the artist's upbringing in Harbin, alongside playful and symbolically evocative objects—such as a marker and glass marbles—all housed within a cardboard box. The show was followed in 2009 by his solo exhibition Invisible Journeys at Doosan Art Center, Seoul, which featured sculptures, mixed-media installations, and oil paintings based on family snapshots and didactic photographs.

Over the following decade, Qiu moved from iconographic experiments in individual and collective memory to explorations of private emotions and social subconscious as he embraced serendipity and instability in the process of painting. In 2013, Shanghai Minsheng Art Museum presented Qiu’s solo exhibition Repetition, followed by Rauschenberg Said, “The Walking Stick is Longer than the Maulstick, after All” held at Beijing Commune. Since joining Pace Gallery, Qiu has presented numerous exhibitions including Apollo Bangs Dionysus, Pace Gallery, Beijing (2014); Double Pendulum, Pace Gallery, New York (2016); Pine or Willow, Pace Gallery, Hong Kong (2017); Fade Out, Pace Gallery, Seoul (2018); and most recently, Divination held at the gallery’s New York location in 2021.

Green and Ropes by Qiu Xiaofei

Qiu Xiaofei, Green and Ropes, 2013, acrylic & mixed media on canvas mounted on wood, 201 cm x 165 cm (79-1/8" x 64-15/16") © Qiu Xiaofei

Wood On Blue Timber On Wood by Qiu Xiaofei

Qiu Xiaofei, Wood On Blue Timber On Wood, 2013 – 2014. Left: acrylic on canvas, wood, 26 cm x 23 cm. Right: oil on board, wood, 124 cm x 140.5 cm © Qiu Xiaofei

Qiu graduated from the Central Academy of Fine Arts in Beijing in 2002. The following year, alongside other graduates of CAFA, he co-founded the N12 group, an artist collective centered on exploring new possibilities in their practices beyond academia. N12 has since exhibited at CAFA Art Museum, Beijing (2003, 2004, 2005); C5 Gallery, Beijing (2006); Beijing Commune (2014); and Lin & Lin Gallery, Taipei (2014). Major group exhibitions of Qiu’s works include Mahjong: Contemporary Chinese Art from the Sigg Collection, Kunstmuseum Bern, Switzerland (2005); The Real Thing: Contemporary Art from China, Tate Liverpool, United Kingdom (2007); New World Order: Contemporary Installation Art and Photography from China, The Groninger Museum, Groningen, the Netherlands (2008); Negotiation: the Second Today's Documents, Today Art Museum, Beijing (2010); ON | OFF: China’s Young Artists in Concept & Practice, Ullens Center for Contemporary Art, Beijing (2013); My Generation: Young Chinese Artists, exhibited jointly by the Tampa Museum of Art, Florida, and the Museum of Fine Arts, St. Petersburg, Florida (2014); Italian Renaissance Drawings: A Dialogue with China, M Woods Museum, Beijing, co-organized by The British Museum, London (2021–22); Common Ground, UCCA Center for Contemporary Art, Beijing (2022); M+ Sigg Collection: Another Story, M+, Hong Kong, (2023), Chine, une nouvelle génération d’artistes, Centre Georges Pompidou, Paris (2024–25), and Suite Berlin: Berlin Art Week (2024). Qiu has participated in numerous biennales, including the Chengdu Biennial, China (2005); Havana Biennial, Cuba (2009); the Venice Biennale (2011); and the Beijing Biennial (2022).

Qiu’s work is held in numerous public collections worldwide including the Centre Georges Pompidou, Paris; Long Museum, Shanghai; M+ Sigg Collection, Hong Kong; Singapore Art Museum; Start Museum, Shanghai; Taikang Art Museum, Beijing; TANK Shanghai; White Rabbit Gallery, Chippendale, Australia; and Yuz Museum Shanghai, among others.

Double Spiral by Qiu Xiaofei

Qiu Xiaofei, Double Spiral, 2016, printed cotton, linen, cotton, acrylic, watercolor, chalk and charcoal, 200 cm × 250 cm (78-3/4" × 8' 2-7/16") © Qiu Xiaofei

Roundabouts by Qiu Xiaofei

Qiu Xiaofei, Roundabouts, 2018, acrylic on linen, coloured cotton cloth, 200 cm × 200 cm (78-3/4" × 78-3/4") © Qiu Xiaofei

The Couch 91924

Qiu Xiaofei, The Couch, 2022, oil on linen, 120 cm × 120 cm (47-1/4" × 47-1/4") © Qiu Xiaofei

Dense Forest by Qiu Xiaofei

Qiu Xiaofei, Dense Forest, 2023-2024, oil on linen, 80 cm × 80 cm (31-1/2" × 31-1/2") © Qiu Xiaofei

Gazing on Mount Tai by Qiu Xiaofei

Qiu Xiaofei, Gazing on Mount Tai, 2022-2023, oil on linen, 200 cm × 200 cm (78-3/4" × 78-3/4") © Qiu Xiaofei